May 2010

El Camino

EAT-May 2010 By Samantha Hoyt Lindgren Photographs by Kristen Teig The right way to go for a little California sunshine, all wrapped up in a taco shell. La comida justa around the corner in Brunswick.   Cross the threshold at

Clammers, Anchors, Herring, Harpswell

FEATURE-May 2010 By Nancy Heiser Photographs by Leah Fisher Arsenault Two peninsulas stretch into Casco Bay, forming an irregular coastline of clam-flats, deepwater harbors, and the well of a giant, imaginary harp. Cross the harp’s well—Harpswell Sound—by boat in no

Tilar Mazzeo Pours a French 75

COOK-May 2010 By Annemarie Ahearn Styling + Photography by Stacey Cramp   This Prohibition-era cocktail hits with remarkable precision. Like a Tom Collins that packs a punch. A little gin and lemon topped off with Champagne.   Tilar Mazzeo always

Five-0 2.0

FEAST-May 2010 (from Maine Home+Design) By Smith Galtney Photographs by François Gagné It’s an unseasonably glorious mid-March afternoon in Ogunquit, one of those premature spring afternoons that makes you want to pull a Ferris Bueller and bask in the sunlight. But

Randy Regier

PROFILE-April 2010 By Peter A. Smith Photographs by Scott Peterman Artist, craftsman, sculptor, dreamer   The entrance vestibule to the old brick Central Maine Power building, in a bleak industrial section of Waterville, is lit 24 hours a day. A

Leon Hamilton

Q+A-May 2010 Photograph by Leah Fisher Arsenault   NAME: Leon Hamilton Age: 62 Occupation: Licensed boat captain on the Islander How long have you been a captain? Twenty years. But it’s all I’ve ever done, all my life, is run boats. First things I get

Robert Farnsworth

POETRY-April 2010 Poem by Robert Farnsworth from Rumored Islands, Harbor Mountain Press, 2010 Edited by Christopher Seid Illustration by Kris Johnsen    “Meteor St.” Several of the several score we saw in a cold quarter hour so bright they lit the clapboards

Anna Hepler

SEE-April 2010 By Deborah Weisgall Cyanotype #2 2009, inkjet on rag paper, 36” x 40”  Anna Hepler’s prints are mesmerizing, transparent constructions: imaginary molecules or webs of affection. They breathe volume. Hepler explores the cohesiveness of pattern, how things hold